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[1] day but more videos til Lowlands!

Today is a bit different. With only 1 opportunity left to post a video I was unable to choose. So I’ve decided to post all my remaining recommended artists I haven’t had the opportunity to showcase yet.

Frightened Rabbit – gorgeously melodic indiepop, good enough to forgive the occasional cheesy lyric

Hot Chip – irresistible nerdiness, and when played live incredibly danceable too

LCD Soundsystem – I expect mayhem, anthems and fierce moshing!

Marina and the Diamonds – She’s talented and quirky and wants to make sure you know

Miike Snow – skillfully crafted indie dance pop by Swedish hit doctors, leaves you wanting more

The Low Anthem – such delicate tunes and tales of woe, will they survive a festival?

The National – Slow to win me over, but I’m crumbling for the moody majesty

The Opposites – Cream of the Dutch hip hop crop, funny and skills to boot.
Also a fitting last clip as it is actually about looking forward to Lowlands!!  “Lowlands zin in, zin in Lowlands”

Laura Marling

Laura Marling

As predicted, Friday’s afterparty back at the camping made sure that Ane Brun‘s early time slot on Saturday was an unattainable feat for this festivalgoer… To torture myself I listened to her session online at 3voor12 (I strongly suggest you do the same) and heard it was enchanting gosh darn it! 

Thankfully there was Laura Marling to ease the pain, what a charming surprise she was! Before coming to Lowlands I had only really knew one song and was slightly afraid she might be a bit of a self obsessed teenager with guitar, but no! She was wonderful (as was her very tasty violin playing band member) and her small folky compositions won over the Lima crowd easily, despite her shyness.

The Bravo tent had a double Dutch slot up next: The Opposites and De Jeugd Van Tegenwoordig, it was nice to see the tent was absolutely packed for both home grown acts. I decided to squeeze into the sea of bodies to catch the end of The Opposites‘ set and was rewarded: they closed with Dom, Lomp & Famous (the very track that gave brokenbranches some serious traffic after this post) and the crowd went suitably mad. De Jeugd Van Tegenwoordig took to the stage straight after and kept the crowd going with tight performances of best sellers like Shenkie, Voor Je Kijken Doorlopen and Hollereer.
Blood Red Shoes

Blood Red Shoes

Now things got very exciting: time to zig zag through the anxiously waiting crowd in the India tent to get up close and personal with my number one in the highest-festival-expectations ranking: Blood Red Shoes. It’s safe to say all expectations were lived up to and then some. They gave the India crowd a kick up the backside that had me jumping and yelling the entire gig, only after their last chord did I come back down to earth and take any notice of what was going on around me. The place was one big swirling sweaty sauna of jumping bodies, the entire centre of the tent turned into a mosh pit, I must have seen at least 15 crowd surfers (which is officially not allowed!) fly by. Highlights were (the obvious) Say Something, Say Anything, It’s Getting Boring By The Sea and the ripping set closer ADHD. Please come back next year with a new album!!

crowdsurfer at Blood Red Shoes

crowdsurfer at Blood Red Shoes

No rest for the wicked, just as the Brighton twosome finished up, Los Campesinos! kicked off all the way across the terrain in Charlie. Navigating my way through the thousands heading the opposite direction because the N*E*R*D* set had just finished (which was great according to my festivalbuddies), I managed to reach the energetic seven piece Welsh outfit in time to catch most of their performance. I was amazed at just how young these kids are when I saw them! But youth is obviously no deterrant for giving a great show, besides playing crowd pleaser You! Me! Dancing! they ended the show with Sweet Dreams Sweet Cheeks, which was a big hit. One blink for yes, two blinks for no, sweet dreams sweet cheeks, we leave alone!

Thankfully a brief dip in my hectic timetable allowed for some taking-the-weight-off and dinner, before it was time to join the hords for one of the festival headliners: Franz Ferdinand. They played some of their new yet to be released material, which sounded very promising. But obviously they got the Alpha all hot and bothered with well known Franz Frenzy-causing tracks such as Take Me Out, Dark Of The Matinee and most notably This Fire, which raised the roof. The audience kept chanting This fire is out of control, we’ve got to burn this city, burn this city!. Excellent performance, but the new album is long overdue. Get it out there already!

 James Rushent - Does It Offend You, Yeah?

At this stage of the day I had about 4 solid hours of jumping and shouting under my belt, but I had one little pocket of energy saved, because I knew I was going to need it badly: next up, Does It Offend You, Yeah?. I wasn’t sure what to expect, but I had a feeling it was going to get slightly silly in the rediculously small X-Ray container. In order to witness “the hype” up front we got there half an hour beforehand. Soon enough the place was inundated with bright young things, all painfully fashionable and glow stick accessorized. When the band took the stage the excitement in the air was incredibly tangible, and with the first synthesizer key being struck the X-Ray instantly turned into a tumble dryer of insanity. I was there with two friends, but we were immediately catapulted meters apart in different directions, unbelievable!

This insanity lasted the entire gig. Shreds of what I do remember: the vocals were quite lackadaisical (particularly on Let’s Make Out, my favourire track), but they were clearly secondary to the impact of the music, which could be felt in every bone of your body. James Rushent was extremely cocky and put down their radio friendly hit Dawn Of The Dead as “a song Spandau Ballet would love”. Morgan Quaintance insisted we scream “Fuck the Sex Pistols” rather a lot. Other than that it’s all a bit of a blur, but one I’m very glad to have experienced. What an end to an amazing second festival day.

Does It Offend You, Yeah?

Does It Offend You, Yeah?

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